Sunday, July 15, 2012

My Favourite Acting Performances so far in 2012


Almost half the year is over and we have seen some very fine movies being released. Directors like Tigmanshu Dhulia, Dibakar Banerjee and Anurag Kashyap, making sure that we are not forced to watch mindless movies. There have been some very fine performances by some very fine actors and here I am listing three of my favourites. There are my best actor nominees for the first half of 2012.

Irrfan in and as Paan Singh Tomar


Irrfan is undoubtedly one of the finest actors Hindi film industry has got and in Paan Singh Tomar he plays the title role of the national record holder athlete who turns rebel to protect his family when authorities fail to take any action. He becomes an athletes because there was no limitations on amount of food he could eat. He chooses steeplechase over 5000 meters race because his coach wanted someone else to with 5000 meters race. He becomes a rebel because his cousin beats his son and his mother. He chose to be interviewed because he did not want to be considered as a brutal murderer rather he considered himself to be known as a rebel with a cause. He does not surrender because he believes in always finishing the race, no matter what. His only regret in life is that when he was an international athlete nobody cared for him and when he became a rebel everyone was talking about him.

Irrfan is so convincing that at no point you stop rooting for him whether he is running for the country in a race or chasing his evil cousin or running from the police. You always want him to win and that is the power of Irrfan's talent as an actor. He brings Paan Singh Tomar back alive and tells his story as if he himself is telling his own story. He looks the part, he speaks the language and he expresses the pain perfectly.

Emraan Hashmi in Shanghai as Jogi Parmar


It was such a surprise to see chumma man with such a dirty mouth and stained teeth that nobody would dare kiss him and what a pleasant surprise that is. Jogi Parmar's character in Shanghai is a complex one. He shoots illegal porn videos for living but risks his life to unearth the truth behind the killing of an activist for the sake of a girl he barely knows.

He works in a photo studio and earns his living by making illegal porn videos however his disinterest is evident. He knows it is dirty and stops the girl whom he considers his dreamgirl from sitting on the same bed where he shoots his dirty pictures. He has lived a life of anonymity and loves the attention whenever he thinks he has done something worth showing off like when he gets the foreigner girl to sit on the backseat of his scooter. He abandoned his family to save his life and in an attempt of correct that he endangers his life to recover the proof that could help identify the real conspirators behind the killing of the social activist. Emraan Hashmi as Jogi Parmar has clearly proved that kissing is not his only talent.

Manoj Bajpayee in Gangs of Wasseypur as Sardar Khan


Sardar Khan in Gangs of Wasseypur is personification of pure evil. There is not a single quality in him. He enjoys killing people and justifies it in the name of revenge. He cheats on his wife and justifies it by citing a convenient interpretation of religion. He is scared of his wife because he knows he is bad.

Manoj Bajpayee brings back the memories of Bhikhu Mhatre, who bowled us over. He is in top form in GoW and is having fun playing the evil protagonist. Be it casually killing someone without showing any emotion or flirting with his women or panicking when his son it hit by a bullet or showing his contempt while publicly challenging his powerful enemy or trying to spot his attackers after being hit by multiple bullets, he does everything to perfection.

I have only seen the trailers of Gang of Wasseypur 2 but I am expecting that I will have to add one more name to this list after watching that and that would be of Nawazuddin Siddique. He is one fine actor.

Friday, July 6, 2012

ACP Pradyuman's Law of Solving Crime


ACP Pradyuman needs no introduction. Everyone who has ever seen any episode of CID in last 15 years knows him very well. Who have not seen CID would know him from a lot of CID jokes doing rounds over the internet and mobile world. Whomsoever still does not recognise him can stop reading further because this post is not for them.

ACP has been solving crime for last 15 years without fail with no promotions or transfers. He has not been promoted or transferred because he is indispensable. He has derived a method of solving crime, which is foolproof and has not failed him ever in last so many years. We will call this method "ACP's Law of Solving Crime".

Everyone familiar with ACP is familiar with this image of him.


Over the years people have noticed him making this gesture with his right hand and likened it to Fleming's Right Hand Rule. Very few people have actually understood the real meaning of this gesture. For the benefit of all here is the explanation. This is ACP Law of Solving Crime. His three fingers are pointing towards three different directions and they mean that you need three points to solve any crime conclusively i.e. it requires a combination of total three evidences or witness to nail the correct culprit. With two points you can reach a suspect but it always requires a third point to find the real criminal.

This three point rule is the reason any typical CID investigation is run in three parallel streams. One is normally headed by Abhijeet, second is headed by Daya and last but not the least third is headed by highly talented Dr Salunkhe. When all these three mutually exclusive lines of investigations point to same direction you finally nail the criminal.

Monday, July 2, 2012

Gangs of Wasseypur


After so many disappointing movies this year, this was a movie I was looking forward to. You expect a lot from a movie with likes of Anurag Kashyap, Manoj Bajpai, Tigmanshu Dhulia (director of some of my favourite movies, acting for the first time), Piyush Mishra, Nawazuddin Siddique (Peepli Live and Kahaani) associated with it.

The movie starts with a bunch of people attacking a house with guns and grenades. Then the movie goes into flashback and we are told about the history of coal mafia in Dhanbad and the rivalry between Qureshi's and Khan's. Rashid Khan is forced out of his village Wasseypur by Sultana daku and he is forced to work for Ramadhir Singh. When Ramadhir discovers about Rashid's plans to kill him, he gets him killed instead. Rashid's son Sardar Khan makes revenge from Ramadhir only motive of his life. He does not just want to kill Ramadhir, he wants to destroy him and wants him to know who is causing this destruction and why. He tells his wife Nagma, "Saale ki kah ke lunga." While Sardar is planning his revenge in Dhanbad, the story shifts to Wasseypur and Sardar gets into fights against Sultan, nephew of the same Sultana daku who forced his father out of his village.

In Dhanbad, Sardar Khan is making babies with his wife Nagma and in Wasseypur he get involved with Durga. The story moves on and Sardar's sons grow to work for him, while Sultan now working for Ramadhir plans to get rid of Sardar and attacks him. Now we must wait for the next part to see where the story goes.

It's difficult to make audience relate to a protagonist who is made of all evil. It requires talents like Francis Ford Coppola and Al Pacino to achieve that. Anurag Kashyap and Manoj Bhajpai have achieved something of that sort here. Sardar Khan has not a single good quality about him, yet you can relate to the character. Thanks to brilliant direction and superb acting. Tigmanshu Dhulia is the surprise packet as Ramadhir Singh. Who knew the talented director can be so good in front of the camera as well. Richa Chaddha is spot on as Nagma. It was Nawazuddin Siddique's act as Faizal Khan that ensured even higher expectations from 2nd part. Everyone of the actors were spot on and played their part perfectly, which is so rare when you have a such a big line up of characters. The setting and the language was consistent through out the length of the film. This is one Indian gangster movie in true sense showing the real gangs from the part of India that is rarely explored by our film industry. There is so much happening to so many characters that most of the characters are not developed completely and many times you rely on the background narration to know about them, which sometimes can be confusing if you are not paying attention. You have to be at the edge of your seats to completely appreciate the movie.

In the end special mention to the music. Did anyone ever think that "teri kah ke lunga.." can be a song?